The engawa is an open, timber-floored corridor or veranda constructed around the outside of the house. The lattice windows seen in the white plaster second-storey walls of Kyōto’s traditional machi-ya houses are known as mushiko-kabe. Because the provide effective security while allowing air and light to pass through, renji are used for sliding doors as well as windows. Those consisting entirely of parallel strips, without any cross-pieces, are called renji. Kōshi mado are windows with a lattice made from thin strips of wood arranged within a timber frame. The udegi (crossarm) hisashi has a more steeply sloping roof supported by crossarm braces. A roku-hisashi is a simple set of eaves cantilevered straight out from the wall, with a flat underside and slightly sloping upper side. Hisashi are additional eaves protruding over windows and entrances, constructed beneath the main roof to provide shade and protection from the rain. Shitaji is the name given to roof framing timbers such as purlins or battens fixed horizontally across the rafters, that the roof cladding is attached to. The taruki are the rafters that extend from the ridge beam down to the eaves of the roof. Other traditional roofing materials include timber shingles called kokera-buki, and hiwada-buki, shingles made from cypress bark. The roof tiles commonly seen nowadays on traditional-style homes in Japan became common during the latter part of the eighteenth century. Highly water-resistant stalks such as those of susuki grass ( Miscanthus sinensis) and yoshi, the common reed ( Phragmites australis), are used. Kaya is the general term for reeds and grasses used for making roofing thatch. Domed, bell-shaped gables are called kara-hafu (literally, Chinese cusped gable), while the triangular gables at the end of concave sloping roofs are called chidori-hafu because they resemble the downswept wings of a chidori (plover) bird in flight. There are different names for various styles of hafu. The hafu are the triangular end panels or sections, including the gable end wall and barge boards, and any decorative plates on the gable wall surface. This ceremony is also known as the mune-age or the tatemae. Once the post and beam framework of the house is completed and the ridge beam finally put in place, a jōtōshiki or ridge beam-raising ceremony is held to bless the house and pray for its safety. As with the tatami mats, the shoji screen is also an age-old green alternative compared to other conventional housing materials.The ōmune is the main ridge of the roof, the highest section of the house. The shoji screen is an essential feature in a traditional Japanese home, inviting either privacy or openness. A shoji screen can either be over a window or a sliding room partition. A shoji screen is a typical room divider made of translucent paper over a wood frame. The other defining characteristic of a traditional Japanese home is shoji screens. Sleeping on a tatami mat takes some getting used to, but in the end, it is better on your back.Īside from tatami mats, what else can you find in a traditional Japanese home? But due to its inherent qualities, you cannot sleep in the same positions as you would on a mattress. Due to the significantly less cushioning, tatami mats will feel much harder to sleep on than western-style mattresses.A tatami mat has just enough cushioning that it won’t feel like sleeping on a hardwood floor. However, sleeping on a tatami mat is an acquired taste. Tatami mats are definitely better for the environment compared to western-style mattresses made from synthetic materials. Related Questions Are tatami mats better than western-style mattresses?
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